I describe my sound environment. Sometimes it is an environmental sound overload. And then there is my mental noise. I include the general concept of soundscape, in which the listener is also a participant. participant. I try to explore. To explore the duality between the digital/virtual and the world, i.e. the real world as an art installation. Sound is a dynamic and active element of natural and artificial environments. To combine different sounds by creating collages to generate effects that are I combine different sounds by creating collages to generate effects that are imagined as realistic between images of worlds that exist only in my head. This reminds me of what D'Escrivan calls "imaginary hearing". Presence and audio in an immersive visual reality called "x 999 x attractions" : which currently counts already 4 video-sequences or as I call them; "minutes d'amour dans l'eau": &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& Months and seasons pass, all indifferent. Love blossoms, love dies. Time moves on, despite the withering of passion, the suffering of love. How to recognise the injustice - of our countries or our desires, when all this is forgotten? This fragility, the awareness that everything is ephemeral, that even tenderness and carnal desires can be shattered - this is the true feeling of these short films. Our days will pass, we will be far away and soon forget. The camera and they are still, only their eyes blink. The eyes of artists who care, care for the water in their gaze with strength. Berlin- Murcia (Spain) 2022-23 Virginia Díaz. Project FUTURO3000. SEQUENCE 2.0 is part of a collection of visuals for sounds US TEChnoKaos. Coming soon SEQUENCE 5.0 ... Thanks to those who have participated in these productions. Gregor Hotz und das Team des Musikfonds.

I describe my sound environment. Sometimes it is an environmental sound overload. And then there is my mental noise. I include the general concept of soundscape, in which the listener is also a participant. participant. I try to explore. To explore the duality between the digital/virtual and the world, i.e. the real world as an art installation. Sound is a dynamic and active element of natural and artificial environments. To combine different sounds by creating collages to generate effects that are I combine different sounds by creating collages to generate effects that are imagined as realistic between images of worlds that exist only in my head. This reminds me of what D'Escrivan calls "imaginary hearing". Presence and audio in an immersive visual reality called "x 999 x attractions" : which currently counts already 4 video-sequences or as I call them; "minutes d'amour dans l'eau": &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&& Months and seasons pass, all indifferent. Love blossoms, love dies. Time moves on, despite the withering of passion, the suffering of love. How to recognise the injustice - of our countries or our desires, when all this is forgotten? This fragility, the awareness that everything is ephemeral, that even tenderness and carnal desires can be shattered - this is the true feeling of these short films. Our days will pass, we will be far away and soon forget. The camera and they are still, only their eyes blink. The eyes of artists who care, care for the water in their gaze with strength. Berlin- Murcia (Spain) 2022-23 Virginia Díaz. Project FUTURO3000. SEQUENCE 4.0 is part of a collection of visuals for sounds US TEChnoSILENCE. Coming soon SEQUENCE 5.0 ... Thanks to those who have participated in these productions. Gregor Hotz und das Team des Musikfonds.

I describe my sound environment. Sometimes an environmental sound overload. And then there is my mental noise. I include the general concept of soundscape, in which the listener is also a participant. I try to explore. To explore the duality between the digital/virtual and the world, that is, the real world as an art installation. Sound is a dynamic and active element of natural and artificial environments. Combining different sounds by creating collages to generate effects that are imagined as realistic between images of worlds that exist only in my head. This reminds me of what D'Escrivan calls "imaginary hearing". Presence and audio in an immersive visual reality called "Sequence 2.0" "minutes d'amour dans l'eau": Months and seasons pass, all indifferent. Love blossoms, love dies. Time moves on, despite the withering of passion, the suffering of love. How to recognize the injustice - of our countries or of our desires - when all this is forgotten? This fragility - the realization that everything is ephemeral, that even tenderness and carnal desires can be shattered - is the true feeling of these short films. Our days will pass, we will be far away and soon forget. The camera and they are still, only their eyes flicker. The eyes of artists who take care of the water in their gaze with strength. Berlin- Murcia 2022 Virginia Díaz. Project Futuro3000. SEQUENCE 1.0 is the first part of a collection of visuals for sounds. Sound and meaning US TEChnoKaos. Coming soon SEQUENCE 3.0 ... Thanks to those who have participated in these productions.